
Hanford reach, winter 2004.
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Fiction
at Work
I am currently writing a novel, As Though There Were No Tomorrow, based on the life of a woman scientist who worked on the Manhattan Project.
Much of this novel is centered around her time at Hanford (Washington), as fuel for the world’s first atomic bomb is created.
My novel braids together upon this one landscape, known now as the Hanford Reach, stories we consider historical, juxtaposing this rational way of thinking about our past with knowledge that is more elusive: what we could know, if we paid better attention.
Who better to make this journey than a woman who helped create the Atom Bomb?
Where better to consider our relations within and interconnection with the natural world than in a sacred place, now flooded, a toxic waste preserve that because of its very toxicity in now wild and rich shrubbe steppe? |
I will be reading in Seattle in early December at the 266th meeting of Its's About Time. A few more details here.
My co-readers will be Pat Hurshell, Bruce Taylor, and Leisha McIntyre.
Planning to read some novel excerpts but one never knows.
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Zama Vanessa Helder, "Coulee Looking West," c. 1940, watercolor (Collection of the Northwest Museum of Arts & Culture, Spokane, WA) |
Thursday, December 8, 2011
6:00 - 7:45 p.m.
Its's About Time
Ballard Branch Seattle Public Library
5614 22nd Ave. N.W.
Seattle , WA 98107
206-684-4089 |

OYEZ, pronounced "oh-yes" or "o-yea" means "hear ye" and is used as a call for silence and attention.
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Oyez Roslyn!
Hear ye, hear ye-- listen up!
A series of readings, verbal riffs, and pronouncements held at Marko's and VintageVine (both in Roslyn, WA), where beer, wine, and conversation mix it up with pool, tie-die.
Start time is always 7:30 PM.
Come on down and hear for yourself.
The2011-2012 series kicked off
Sat. November 5, 2011.
For more details click here.
Next events will be February 11, 2012 and March 3, 2012.
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To offer $upport, or to get on the playlist:
info at elliebelew dot com |
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I presenteda reading and licture at the Seattle University School of Theology's 2011 Search for Meaning Book Festival in Febrary 2011 (Seattle, WA). As did Ann Lamont and Tariq Ramadan.
Saturday, February 2, 2011
9 AM - 5 PM
(I will speak from 2:15 - 3:00 pm)
Pigott Building, Seattle U. Campus
Seattle, WA
Everyday Stories That Matter: Witnessing the Sacred in the Mundane is the title I am using as an umbrella for a mixture of my fiction and non-fiction. Each selection portrays a situation of deep humanity: the cacophony of what we fear and love, what scars us, and what drives us to continue. |
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Heritage Interviews
Project I am coordinating an ongoing
project to document the heritage and culture of the Roslyn-Ronald-Cle
Elum area. Those interested are gathering interviews and soundscapes
that will be both archives and selectively shaped into various products
along the way. Some people are interviewing, some are technical editors,
some are content editors. More.... |
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Joined at the
Throat
A prequel novel to Run
Plant Fly.
Joined at the hip is two so close they function as one, bound together
through thick and thin. Joined at the throat is to be bound by song,
and also implies we may have a knife in one hand and each other's
throat in the other.
Because song is not just the do-re-mi for the choir director-- it
is all our utterances-- cheers and jeers, laughter and hissing and
muttering, our mumbling repeats of what echoes within. One head
nodding before the other's lips have finished, a bit of question,
part of an answer, call-and-response and our voices build together,
not always glad. Joined at the Throat is about intimacy,
both violent and loving. A
sample coming soon to this very location...
An excerpt, “Crosscut,” was selected as Finalist in the 2009 Oregon Quarterly's Northwest Perspectives Essay Contest. |
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Literary laureate: Doris Lessing and fellow novelist Ben Okri at the Wallace Collection gallery
31.01.08 London Evening Standard



a scene from When We Were Kings

Charles Brunett, film maker

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Current Stimuli
Latest Good Reads
Ben Okri, Stars of the New Curfew
I got Okri's name from an interview with another writer, who cited this collection of Okri's for its successful blend of very harsh reality with indigenous religious perspectives. These stories are an almost hallucinogenic portrayal of modern Lagos, writing that portrays the horrible and the desperate with absurd beauty, as the supernatural interacts with the urban.
Phillip Roth, The Plot Against America
I must admit I have not been much of a Roth fan before this novel. Perhaps this is because my first exposure (ha) was Portnoy's Complaint at age thirteen. Let's just say it didn't speak to me at the time. The Plot Against America has U.S. voters electing Lindberg over FDR. Freedom of the press does not follow. It is not unlike some of Ishmael Reed's perspectives on political power and racism as they mix with the American Dream-cum-Nightmare. Capital City by Mari Sandoz also comes to mind as a novel about the appeals of fascism in an era that includes progressives.
Patrick D. Smith A Land Remembered
A florid Floridian historical novel. Smith's style reminds me a bit of Robert Heinlein as he moves through the rise and fall of a dynasty. Are you surprised the empire involves cattle, citrus, and real estate, or that the original Floridians (Seminoles) fare poorly? Now I know at least one etymology for "cracker." Clue: it has to do with whips. This interview with Smith has background photos worth watching.
Recent Movies
(I have some new picks to add, and will do so shortly.)
When We Were Kings (1996,
Leon Gast, director) is a documentary about the 1974 “Rumble
in the Jungle” between heavyweight champion George Forman
and previous champ Mohammed Ali. I am not a boxing fan, but I was
mesmerized and inspired as I watched the two US fighters, their
entourage, and all the promotion and entertainment (B.B. King, James
Brown, and Don King among others) that packed up and went to Kinshasa,
Zaire (now the Democratic Republic of the Congo). The humanity of
individual experience: Ali thinking out loud about the huge cultural
difference between living in an almost entirely black country and
what he has experienced as an African-American in the United States;
the Zairians’ joy in seeing the charismatic Ali; the global
politics and economics that brings the fight to the same Kinshasa
stadium Dictator-President Mobutu used to for executions and torture
until the floors ran red with blood.
I can’t remember now how I came across a reference to director
Charles Burnett, but I have been watching everything I can find
that he has had a part in. First I watched To Sleep with Anger
(1990) in which Danny Glover shows up on the doorstep of a
couple he vaguely knows from the small southern town they all grew
up in. The older couple lives in a solid working-class black neighborhood
of LA. They let Glover move in for an indefinite visit. Glover is
Evil, far more complex than “evil incarnate” because
his very nature is evil. As he explains to someone who challenges
him, he is just being who and what he is, which means everything
and everyone goes bad when he is present. Next up was Nat Turner:
A Troublesome Property (2003), a consideration and enactment
of various interpretations of Nat Turner, from William Styron’s
to Harriet Beecher Stowe’s to that of the lawyer who interviewed
Turner in jail before his hanging. My latest Burnett film is Warming
By the Devil’s Fire (2003), a fictionalized tribute to
numerous blues masters. It mixes live footage with a moody narrative
about a young boy at the crossroads between the life and music of
conservative Christian Gospel and the blues.
Daily Music
(I have some new picks to add, and will do so shortly.)
I guess I am currently a sucker for reasonably poetic lyrics set
to pop style melodies. Challengers by the New
Pornographers is a lovely album, full of plaintive vocals and
catchy hooks. I only wish I could sing like Niko Case. For the record,
I am less enamored with other albums by The New Pornographers.
I stumbled across Advice from the Happy Hippopotamus (2005)
by Cloud Cult after hearing
them do a Seattle studio version of Bob Dylan’s “Mr.
Tambourine Man.” Pretty introverted lyrics, lots of mixed
in electric and mechanical and digital sound, which is hard to sing
by oneself in the bathtub. For a chilling and amusing example of
how sound can be digitally edited to create a virtual voice, listen
to Prez George saying things I don’t believe Prez George has
ever said, in “State of the Union” on Aurora Borealis.
Duke Ellington’s recently released Piano in the Foreground
is a sampling of the Duke’s brilliant musical reach. He fluidly
blends all manner of riffs and traditions, including stride piano,
minimalist chords, and the blues, to name a few. In one piece his
piano is orchestral, in the next pure and private solo keyboard.
What a master.
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